Thursday, June 7, 2007

My Book: Unfinished

Dear Blog Reading Friends:

This is the cover of my book of poetry, just released by Woven Word Press. I thought I'd share the cover and a couple of poems from the book -- two of my favorites: the title poem and one on Rosa Parks.


Unfinished

Melancholy descends like a mother-in-law
arriving unannounced,
peeking through all your cupboards,
in all your most private corners,
until you throw your hands up in disgust,
leave your bagel on the plate
unfinished,
crawl beneath the covers to hide
from the obvious transparency
of all your flaws.

The painting sits,
only pinks and mauves daubed on the canvas,
as you forget
where you put the keys to your life.
One stanza of a poem moans with loneliness,
a one-sleeved sweater sits,
knitting needles akimbo.
The linen closet’s contents strewn
in the hallway attest to the fog,
descended
as you were matching striped pillowcases to sheets,
watermelon washcloths to their cousins the bath towels.

All the while, she lurks, reading your mail,
commandeering your haunts,
until there is just a tiny slice of you left,
peeping through the keyhole,
watching instead of living.

Then one day, fed up, you decide to throw her out,
summon the courage to tell her it is time.
You make the plane reservations yourself,

and when she is finally gone,
you batten down the hatches,
watching the midnight lift,
sunshine melt through the house,
buttery and rich,
alighting on that morning’s bagel.

Unfinished
on its blue willow plate.

You sit alone and begin to eat again.



Rosa Parks

What was she thinking?

Measuring hems,
taking fine stitches
with thimbled hand in 1955,
a department store
seamstress
to Montgomery’s finest ladies.

What alterations
to Alabama,
the seat of segregation,
did she contemplate
that destined day?

Inquisitive, Jim Crow
peered over her shoulder.
She sat
in middle seats
reserved for those of fated birth.

Quiet dignity
urged her to stay
when driver James Blake
ordered she stand
on worn feet
in sensible black shoes.

“To the back of the bus.”
Matter-of-fact,
he threatened
to call the police.

“You may do that,”
she rejoined, soft yet steely,
her proper grammar
and Mama’s good manners
an honorable hallmark
.
Ejected,
arrested,
fined ten dollars
and court costs,
courage took the reins.

Quiet icon making headlines --
erect, worthy of birthing
a movement she never intended.

“You may do that.”
A dignified refusal,
the fight song of a generation
whose cup of intolerance overflowed.

You can buy my book at www.womenwritingupnorth.com or at www.amazond.com.


Blessings,

Anni

New Poem...

Every day that I write a poem is a good day. Writing thrills me. I like everything about it. The words, ideas that come to me and fleshing them out into a poem.

Here is a new poem about global warming.

Comments welcome.

Also...I am very open to reviews of my book. Just go to my website www.womenwritingupnorth.com to purchase. It's also available at www.amazon.com


Global Warming

God knows, this winter is
frightening for its lack of snow,
the absence of hands rubbing together
in the universal sign of cold.
Not this season
where December and January
have tried April on for size,
ditching our temperate climate,
for something more tropical.

We claim to mark time by four seasons,
but folks moan we have only two –
six months of summer, six of winter
with fleeting spells of spring and fall,
not worth mentioning but for
the occasional bijou, a jubilee,
crisp as an autumn apple,
wood smoke ticking the nostrils
or first warmth, teasing us
as we strip down to shirtsleeves,
losing layers of lambswool for linen.

They say this is an El Nino winter,
the little weather boy huffs and puffs
warm air our way, while some hope
for blizzards to keep us home
throwing extra logs on the fire,
sap jumping like popcorn.

Ambling about in light cotton sweaters
this January, I fret about the battles
my children and my children’s children
will live to fight. What catastrophes can I not
yet imagine? Twenty-first century plagues:
tidal waves drowning New York,
locusts ravaging Laramie,
pestilence in St. Paul?

Feeling small and lonely,
I religiously recycle newspaper,
carry cloth grocery bags,
bemoan the dearth of public transit.

What else can one person do, save pray?

Blessings,

Anni

Tuesday, June 5, 2007

Selling Books...

...is the hard part, compared to writing it! Unless you are with a big publisher, you are pretty much on your own, calling bookstores -- sending out press kits.

On Sunday, I had a book-signing party which was awesome. All my good friends and family. I read 3 times during the party and was very well received (friendly audience, you know!). Sold almost 100 books, too!

I am learning book merchandising as I go. It's definitely a slog for a small press writer, but I relish the challenge.

I have a reading set up for June 30 at Horizon Books in Traverse City and hope that my Michigan community will come to that.

Now it is time to produce press kits, which I'll do myself. Plus I have fliers going out to libraries, book reviewers and 2000 independent book stores.

Ironically, while doing all of this, I have little time to write. Alas, alack!

Otherwise, life continues. Our daughter's graduation from high school is on Friday and then I go to a writing retreat. She leaves for Greece to study Art History and Painting the next week and then I leave for Michigan for a glorious month.

I have 3 samplers set up in Michigan at the Traverse Area Library -- go to my website, www.womenwritingupnorth.com if you are interested in the details. Each one is a sample Women Writing for (a) Change class. They are usually 2 1/2 hours long and this one is 1 1/2 hours. Lots of fun if you have ANY inclination to write and the samplers are FREE. So please come and bring your friends!

Off to work on press kits and accounting records, tra la, tra la!

Anni

Sunday, June 3, 2007

On Becoming a Poet

I did not start out saying "Today, I will become a poet." On the contrary, here I find myself a poet and have to reconstruct my path to this point. True, I've always like writing. Was editor of my high school newspaper. But I got side tracked by real life. The Corporate thing.

Coming out of school, like many young women my age in the mid-seventies of the last century, I didn't have the foggiest notion of what I wanted to do. When I entered college, all the Seniors were sporting engagement rings and going after M.R.S. degrees. I thought I'd probably do the same.

But in the 4 years I was in school, the world changed dramatically. Women began entering the workforce in droves. Women's lib was at its height and, frankly, I had to make a living like the next gal.

I got a degree in communications (well, for reasons I won't go into here, really one in Education with a concentration in communications) so that I could go into PR...a job that requires writing. An idealistic young woman, I wanted to do non-profit P.R. But no one would hire me without experience. And besides, "non-profit," it turns out, is non-profit for everyone, including employees.

As a native Cincinnatian, there was one major employer in town for which everyone aspired to work: Procter and Gamble. The great Soap Factory. My grades were good, I had shown some leadership ability in college and I interviewed well enough to get a job in promotion...not quite non-profit and not quite P.R., but close enough.

And so was born a 24 year career in business. Yes, I wrote, but it was expository writing and creativity was limited to figuring out what words would make an idea sell to upper management. Not exactly poetry.

It wasn't until I took an early retirement package in 2001 to care for my elderly, dying parents that other worlds opened up. P&G had been a more than full time job...and during my years there, I was also a young mother of two and a wife. No time for creative endeavors on the side. I am no longer so young, am still a mother of two kids, who are more grown up and am still a wife.

After my parents died two things happened. First, I felt freed of parental expectations for success and decorum. Suddenly, I could be anyone I wanted to be. The world was my oyster. Second, I rediscovered my love for writing.

I was in pain over the loss of my parents and poetry was cathartic. What I wrote was intimate and not anything I would share with anyone but my husband or best friend (BFF). But I did find I enjoyed playing with words in the very tight, very short-short stories that are poems.

I began to read modern poets: Jane Kenyon, Ted Kooser, Billy Collins, Naomi Shihab Nye, Lucille Clifton. I noticed that their poetry made observations of the world. Each little story contained a vignette or a moral or an "aha" moment. I began to emulate this model and to write a different kind of poetry. This poetry I could share with the world.

Well, the world is a big place to start with, so I began by finding a writing group, Women Writing for (a) Change, where I could share my poetry in a small and supportive group. I then ventured out to my church's poetry group (yes, my Episcopal church has a group that meets once a month or so to share poetry -- one's own and famous poets').

Finally, over four years or so, I developed a body of work. I was nearing 60 or so poems about which I felt pretty good. I started to think about publishing.

Of course, I had no idea how to go about this. All I was told is "poetry doesn't sell." A maxim in the book-selling world, apparently.

I was unfazed. I went to the poetry section of my local bookseller and began looking at publishers who had printed books that were on the shelves. I started sending them my work. Especially if they had a web address.

BINGO...I got a hit. Woven Word Press in Boulder, CO loved my poetry and offered to publish me.

The rest, as they say is history. And, I suppose, I am now officially a poet.

At least that's what I put down on forms (like my daughter's college matriculation questionaires) that ask for an occupation.

It feels good. It all feels very, very good.

Try it, you might like it, too!

I'll leave you with a poem about the process of becoming a poet:

Don’t Quit Your Day Job

Don’t quit your day job
the little voice on her left shoulder says.

Stay a waitress, pink uniform and apron
fitting a trim figure, easy to keep
with the walking and hefting of orders
for customer’s tips -- her favorite, the
regular who left her twenty and told
her to go buy a condominium.

Don’t quit your day job,
the insistent voice nags, nags, nags.

Be a doctor, a lawyer, an Indian chief.
Daddy says get on the payroll at the plant,
what with the benefits and all. Or go to school
to be a nurse, slapping the cold steel scalpel
into the doctor’s deft and waiting hand.

Don’t quit your day job,
the little voices cries,
afraid of consequences
unthinkable, unspoken.

Don’t quit your day job, abandoning
the security of teaching at a school
with thirty to a class and a policy
manual the size of a small atoll.

Don’t quit your day job,
to be a poet,
doing the minuet with words
sifting through junk for the perfect phrase
to make the reader’s gut zing ,
or to be an artist,
transforming everyday forms
with perspective, moving her audience to tears.

Don’t quit your day job
for dreams heavy with hope,
a Vegas dose of risk and the
temptation to do what you love.

Don’t quit your day job?
Hah. Watch me.


Blessings,

Anni